The House of Hammer Vol. 1: A Blu-ray Review
The House of Hammer Vol. 1 is a comprehensive exploration of the golden age of British horror, curated by the current Hammer brand. This box set is a celebration of Hammer's legacy, featuring a series of Blu-ray releases with specially curated features, interviews, and documentaries. The first volume, titled 'Masques, Monsters and Madmen', delves into the influence of American International Pictures (AIP) on British horror, particularly through the lens of Vincent Price's films.
The documentary is a fascinating deep dive into the world of AIP and its association with Hammer. It features interviews with learned experts such as author/historian Jonathan Rigby, filmmaker Chris Alexander, screenwriter David Pirie, and Vincent Price's daughter Victoria. They discuss the studio's output, its influence on British horror, and the unique relationship between AIP and Hammer.
In addition to the documentary, the first disc includes 'Off the Leash', an in-depth look at the career of Michael Gough, an actor who appeared in several horror films despite not being particularly fond of the genre. The disc also features 'The Land Demands Blood', which explores how Cornwall has been used as a setting in Hammer films and contemporary productions. The inclusion of 'Ticket to Happiness', a previously lost short film made by Hammer in 1959, adds a unique touch to the collection.
Disc two continues the exploration of British horror with 'Deep Cuts', a feature-length documentary about censorship in the US and UK, and its evolution during the 1960s and 1970s. The same talking heads from the first disc are featured, providing a comprehensive look at the subject. 'Making Monsters' follows, an interview with special effects duo Dave and Lou Elsey, and 'Symphonies of Shudders', which delves into the history of music in film, focusing on Hammer composer James Bernard and his unique techniques.
The Blu-ray package is a treasure trove for fans and collectors, offering a wealth of content that goes beyond the typical documentary. However, the reviewer notes that the release feels like a collection of special features rather than a cohesive collection. The artwork, dominated by Christopher Lee, Peter Cushing, and Vincent Price, further emphasizes this disjointed feel. Nevertheless, the package is highly recommended for its value and the rejuvenated interest it brings to Hammer and its associated studios.
The House of Hammer Vol. 1 is a must-have for horror enthusiasts, offering a deep dive into the history and influence of British horror, with a particular focus on the relationship between AIP and Hammer. It is a testament to the enduring legacy of Hammer and its impact on the genre.
